
The Explanation we published two weeks ago was taken directly from catechetical materials developed by the General Council for the distinct purpose of educating Lutherans regarding the doctrinal integrity and catholicity of genuine Lutheran worship. Indeed, this Explanation of the Common Service, published in 1908, was dedicated to the “Young Lutheran who asks the meaning of the beautiful liturgy of the Lutheran Church.” In our introductory remarks preceding the explanation, we marveled at this. Lutherans these days don't educate their youth about Lutheran worship, and if they do, they don't do so in a way that extolls it's beauty as a work of Fine Art, nor do they do so in a way that reinforces its doctrinal integrity, nor do they do so in a way that embraces its catholicity. One of the bright shining exceptions to the lamentable reality that contemporary Lutherans no longer value their heritage of worship enough to bother passing it down to their youth, is the LCMS-affiliated organization, Higher Things. Outside of this organization, the best one can hope for is a one- or two-lesson explanation of Lutheran worship which neither extolls its beauty nor places value on its doctrinal integrity and catholicity, but uses the opportunity to deride our heritage by vaunting its status as “an adiophoron” and setting it on equal footing with just about any form of Sectarian Worship imaginable – as long as one wears the appropriate set of blinders as he goes about imagining. Yeah, sure, you can do it, but why would you want to? In answer to this one needs but a “reason,” and in the world of adiaphora that merely means “opinion.” Thus one “reason” is as good as another, and anything one can “justify” has open license attending it.
But we further asked the reader to notice the use of language this Explanation employed. It was not written for functionally illiterate Lutherans who find reading and understanding anything written above the sixth-grade reading level to be a hopeless struggle. On the contrary, being dedicated to the “Young Lutherans,” it was written to Lutheran Youth, and plainly assumed that they had command of their own language. If it was written above their level, then it served the noble purpose of lifting them out of their immature literacy and colorless task-oriented-use of language, through the rich vocabulary and precise grammar employed in the distinctive and enculturating language of the Church. Contemporary Lutherans, it seems, no longer value the uplifting qualities of higher literacy, either.
Regardless of what the so-called wise-men of contemporary times insist upon, I am not ready to succumb to such disrespect for others that my operative assumption is that they are all functionally illiterate. I don't think all, or most, or even a significant minority of educated Lutherans are just a bunch of dumb-dumbs who can't read. Some very-well may refuse to read anything more complex than a comic book, but that is a separate matter – a matter of sinful obstinacy, and perhaps even rebellion. It is not a matter of literacy. So today, we are going to continue our use of materials having high-literary quality to provide a brief explanation of Lutheran hymnody.
What is a Hymn? A Canticle? A Carol? An Anthem?
We begin with the source pictured at the top left: The Handbook to the Lutheran Hymnal, by W. G. Polack – who was the chairman of The Lutheran Hymnal committee. This work first appeared in 1942, essentially accompanying the publication of The Lutheran Hymnal, and went through several revisions thereafter. It is a book which catalogs all of the hymns used in The Lutheran Hymnal, identifying their authors and sources, providing a history of the circumstances under which the hymn was written (if notable), reproducing the hymn in its original language alongside the English version which appeared in the hymnal and identifying (sometimes justifying) alternate readings from the original composition. It is considered a classic in the field of hymnology.